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9月20日晚，阿根廷音乐家Pablo La Porta将在CHAO带来一场与众不同的打击乐演奏会。
Pablo La Porta是来自阿根廷的音乐家、打击乐演奏家和作曲家。致力于不同文化中的打击乐器的研究和演奏，担任阿根廷科隆剧院交响乐团和布宜诺斯艾利斯爱乐乐团打击乐手，科隆剧院室内乐团成员。曾出版打击乐独奏专辑《十一》和《独自一人》、Porta毕业于阿根廷著名的 the Municipal Conservatory of Music "Manuel de Falla" 音乐学院打击乐专业。1993年和1994年期间在美国跟随纽约交响乐团打击乐演奏家 Elden C Bailey、Chis Lamb 和 Rolland Kohlof 学习。
从1988年起至今担任阿根廷 "Juan Pedro Esnaola" 音乐学校打击乐教师，在阿根廷 ISFA 高等艺术培训学校任教。曾在意大利、法国、葡萄牙、比利时、西班牙、德国、乌拉圭、古巴、波多黎各、巴西、墨西哥等国家巡演，并开设短期大师课。1995年创建了"平行33"四重奏打击乐队，多次首要在阿根廷及其他国际音乐节上演出。
他曾参与的音乐节有：
墨西哥拉丁美洲国际音乐节、波多黎各第六届国际打击乐节、古巴国际打击乐节、波多黎各第七届国际打击乐节、意大利国际打击乐节、法国国际打击乐节、阿根廷布宜诺斯艾利斯探戈节、从2003年到2006年连续参阿根廷 BAP 打击乐节、从2005年到2008年参加乌拉圭国际音乐节。
On September 20th, Mr. Pablo La Porta will come to CHAO Art Center and bring us a unique music concert.
Pablo La Porta is a musician, percussionist, drummer and composer. He dedicates his career to the study and investigation of multiple instruments of percussion of diverse cultures. He graduated in the Municipal Conservatory of Music "Manuel de Falla" as Master of Music, with the specialty in Percussion. He studied orchestral percussion in the United States in 1993 and 1994 with Elden C. Bailey, Chris Lamb and Rolland Kohloff, soloists of the New York Philharmonic.
He took Frame drum classes with Glen Velez, Udu drums with Jimmy Hadad, Hindi board with Kinhar K. Seen and d'jembe with Babatunde Olatunji and Kahinde O'Uhuru. In New York's Drummer Collective he studied drums with Bobby Sanabria and Kim Plainfield.
He is Professor of the Percussion Chair of the Juan Pedro Esnaola School of Music, from 1988 to date. He is Professor of Percussion at ISFA Higher Institute of Artistic Training and directs the Percussion ensemble ESEAM J.P Esnaola, in Buenos Aires Argentina. It teaches seminars and Master Class throughout the country and abroad as Germany, Belgium, Spain, Uruguay, Cuba, Puerto Rico, Brazil, Mexico, Italy, France, Portugal. He is a founder and member of the percussion quartet Paralelo 33, with which he has performed since 1995 at the following national and international festivals.
